2025 | Fiber Sculpture | 13.5 X 15.25 X 8 in
Vegan Taxidermy reimagines the tradition of taxidermy through fiber, transforming symbols of conquest into acts of care. Handcrafted animal forms emerge through textile processes, where softness replaces skin and labor replaces violence.
The series reflects on desire, domination, and ornament — asking what it means to preserve something without possessing it, and how beauty can both conceal and reveal power.
Memoria y devoción se entrelazan, permitiendo que cada puntada susurre y cada hilo guarde un secreto. El tiempo se detiene entre la obsesión y la ternura, donde el amor perdura incluso después de que la vida se ha ido.
La serie reflexiona sobre el apego y el impulso humano de preservar lo que apreciamos. A través de gestos cotidianos y escenas inverosímiles, estos personajes nos recuerdan que la devoción puede ser dulce, absurda y ligeramente macabra, como un abrazo que aprieta un poco demasiado, pero que aún así reconforta.
Human excess softens into handcrafted forms, where indulgence and desire twist, curl, and become objects of strange beauty. Every stitch is an obsessive act, a quiet tribute to our darker whims.
The series reminds us that what we crave and hoard can be tender, playful, and dangerously captivating all at once — like a whisper that squeezes just enough to hold on.
Frida Kahlo transforms life and memory into textile forms that breathe emotion and resilience. Each stitch captures a fragment of her strength, her pain, and her love, revealing the intensity of the everyday and the intimate.
The series celebrates the body, passion, and the persistence of the human spirit, reminding us that creation can be an act of courage, tenderness, and radical beauty, where the personal becomes universal.
Monica Filotas works with fiber as a sculptural and conceptual language, exploring the tension between softness and structure, time and material memory. Grounded in decades of sustained engagement with textile processes and shaped by international experience across the Americas, Europe and Africa, her practice transforms fiber into autonomous sculptural forms.
Through textile-based sculpture, Filotas examines identity, memory, and the human relationship with nature, engaging questions of power and cultural symbolism. Balancing intimacy with structural presence, her work emphasizes material intelligence, repetition, and the tactile experience of form.
Monica Filotas is an international textile artist whose passion for knitting began at the age of nine, exploring techniques that would become the foundation of her lifelong artistic journey. With a degree in Industrial Design, she began her professional career at the Museum of Modern Art, refining her creative vision before founding her own design studio, specializing in innovative trade show environments. Her studio earned two consecutive “Best in Show” awards, a testament to her originality and dedication to design.
Monica’s artistic curiosity has taken her across continents, where she has deepened her mastery of yarns, looms, dyeing, felt, embroidery, and traditional fibers from cultures around the world. This global perspective informs each piece she creates, shaping works that are at once personal, tactile, and visually compelling.
Her work has been featured in private exhibitions throughout the United States, England and Latin America. Through her practice, she challenges preconceived notions of gender, craft, and art, pushing the boundaries of textile work beyond conventional definitions.
Fiber is Monica’s primary medium, allowing her to create organic forms that echo the rhythms of nature and human connection. Her pieces are deeply influenced by the magic, traditions, and surrealism of the cultures she has experienced, inviting viewers to see textiles transformed into a beautiful piece of contemporary art. Each work is an exploration of identity, memory, and the commitment to sharing the universal language of fiber art with diverse audiences.
STUDIO
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